Naked – Renderings
I also got the chance to perform a lot of pre-visualization and mock-up set renderings on Naked. They were very helpful in getting set designs approved and getting everyone on the same page with regards to the set plan.
I also got the chance to perform a lot of pre-visualization and mock-up set renderings on Naked. They were very helpful in getting set designs approved and getting everyone on the same page with regards to the set plan.
I got the privilege of assisting with art direction on Netflix’s 2016 film “Naked” starring Marlon Wayans. I got to design several sets and pieces of scenery, one of which was the elevator that’s featured in the beginning of many scenes. Designed in Sketchup and drawings in layout.
To make Principal Belinda appear super qualified for her position, we had to make a ton of credentials and photo composites of her life. All were shot on green-screen and manually composited into existing photographs.
A fictional fast-food restaurant I did for Melisa McCarthy’s “Tammy.” Heavily featured in the film throughout and used in promotional materials.
In Sleepy Hollow Season 2 we had a fictional demonic medical cult that was developing ways to birth Moloch into the human realm via a supernatural pregnancy. We had some logos interesting fictional computer screens to make it look like some evil stuff was going on.
In Sleepy Hollow Season 2, the Script called for fictional FBI security software that would analyze a piece of security and reconstruct their face. I put this together in after effects, and it was featured pretty heavily .
A Tattoo I did for the film Sex Tape wherein the Cocaine-addled head of a toy company (played by Rob Lowe) reveals his not-so-family-friendly secrets. Digitally drawn.
The mystical sword that can defeat Moloch is described in the book of Enoch, depicted with flames emerging.
To get into the Tower in revolution the characters had to scan their hand into some bio-metric security device. I made the screens to specifications and had them playback live on two iPads which were fit into a special effects device. Both screens had to trigger when the actor laid his/her hands on the device so it was controlled from off-screen via a wireless keyboard in Bluetooth mode. When the actor touched the right screen the animation played automatically and the left screen was triggered manually to match the action on the right.
Here’s a video of what the animation looked like in real time: